Then we’re going to rest in it non-Fuji file to get the Classic Chrom to look on Sony, Canon etc.Īnd in case you don’t have my Filmist pack and don’t want to buy it, I’m also going to spill the beans, showing you my settings and channels in case you want to make your own variation of Classic Chrome. So In this video, I want to show you how the new Classic Chrome look stacks up with the Fuji version of this Kodoachrome-inspired look (hint it’s almost perfect). It produces those nice sift colors with rich tones inspired by Kodachrome In Lightroom and in Capture One I can even adjust the intensity of the Classic Chrome preset. Classic Chrome look in LIghtroom applied to a Sony RAW file. And I can see every slider that’s been affected, adjusting it as needed. I apply the Classic Chrome from FIlmist, I can do it on any file regardless of what camera it came from giving me a consistent look. I wanted a Classic Chrome Preset that works on everything. In Lightroom and Capture One you can select Classic Chrome to look as a profile and it will look very similar to it’s baked-in JPEG counterpart. Most cameras will then allow you to apply that look as a camera-specific profile. VIDEO: How to create a match of the look as a Classic Chrome preset. But in today’s video, I’ll show you the recipe so you can make your version if you prefer. NOTE: If you have my Filmist film presets pack, the latest Classic Chrome-like preset is included in. You’ll find this video useful for your own editing as I’m going to share secrets about how to make more nuanced color edits that work across all kinds of photos and cameras. I wanted a Classic Chrome Preset that worked on any camera.Įven if you don’t like the Classic Chrome look. Classic Chrome is a Kodachrome-inspired simulation popular in Fuji Cameras. It has better Portra presets and my new Fuji Classic Chrome preset for Lightroom and as a Capture One Style and a video LUT. Thankfully with C1's layer option its really easy to apply any of these at 20 or 30 percent for a subtle but effective graded look.I made a blog post the other day where I showed you the new Filmist 1.7. I just just wouldn't use any of them at 100%. I really like the colour palettes they've used here. Here's are the styles applied at 100% opacity, with the name of each C1 Style applied.Īs always with these things it comes down to personal preference. Natural light shots seem to suit these styles best so I thought this would be a good example □ So for my sample image I've picked the above shot of Steph from our shoot in Paris. Thankfully C1 has a lovely layer preset feature which lets you apply any of these styles onto a layer, which can either be reduced in opacity or even even masked back in selectively on parts of the image. I thought a few others might be interested in seeing how these looked so I've put together a brief comparison of all the styles when applied at 100%. I'm not a huge fan of applying presets/filters at their full effect as they can look a bit over processed for my liking, but these are a lot more tasteful and reserved than some of the others I've seen. I don't want this to turn into a C1 vs LR discussion as that's been talked about to death elsewhere, C1 is my preference anyway.Ī few months back Phase One released a bunch of preset packs called Capture One Styles that looked incredible. Its totally personal preference but I much prefer the look of files from Capture One than LR, even just with their default import settings. For those not familiar with it, its basically an alternative to Lightroom for processing raw files. If any of you have seen my retouching streams on Dlive or read my posts where I mention my retouching process, you might have noticed I use Capture One as my raw editing application.
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